Dorothy Arzner Black Face (2025)

1. Arzner, Dorothy - Senses of Cinema

  • 22 mei 2003 · The use of blackface in a key dance sequence, performed by the American Ballet Company, drives this point home; new “hybrid” forms of dance may ...

Arzner, Dorothy - Senses of Cinema

2. Criterion Review: DANCE, GIRL, DANCE - Cinapse

  • 22 jun 2020 · (Worth noting that a duo of dancers appear in blackface in a ballet performance Judy watches. It's not super-obvious, but it still stood out to ...

  • Dorothy Arzner’s woman-centric 1940 comedy defies genre I can’t believe it took me this long to see a movie in which Ralph Bellamy gets the girl. For decades I’ve heard that Bellamy always loses his gal to another man, but he wins— in a fashion — in the 1940 film, Dance, Girl, Dance. Judy (a twenty-year-old Maureen [...]

Criterion Review: DANCE, GIRL, DANCE - Cinapse

3. Classics Revised: The Red Shoes (1947) and Dance, Girl, Dance (1940)

  • 11 mei 2022 · Dance, Girl, Dance (1940, directed by Dorothy Arzner, written by Frank Davis and Tess Slesinger) is available to rent on Youtube, Google Play, ...

  • by Arielle Cole

Classics Revised: The Red Shoes (1947) and Dance, Girl, Dance (1940)

4. 304) Dance, Girl, Dance (1940) - The Horse's Head

304) Dance, Girl, Dance (1940) - The Horse's Head

5. “The Women At The Keyhole” | Open Indiana

  • The feminist rediscovery of Dorothy Arzner in the 1970s remains the most important attempt to theorize female authorship in the cinema. Arzner may not be ...

  • All rights reservedThis work is licensed under the Creative Commons Attribution NonCommercial ShareAlike 4.0 License. In short: you are free to share and make derivative works of the work under the conditions that you appropriately attribute it, you use the material only for non-commercial purposes, and that you distribute it only under a license compatible with this one.Powered by Manifold Scholarship. Learn more at manifoldapp.org

6. Interview with Dorothy Arzner - agnès films

  • 16 jul 2011 · She remembers Joan Crawford decked out in a lavish red gown, even though the picture was shot in black and white. Altogether, Arzner considers ...

  • Interview by Karyn Kay and Gerald Peary Copy Edited and Posted by Alexandra Hidalgo It was a revelation when, in the feminist early 1970s, we discovered two Dorothy Arzner films, Christopher Strong (1933) and Dance, Girl, Dance (1940), in the RKO Collection at the State Historical Society on the University of Wisconsin campus. Articles on... View Article

Interview with Dorothy Arzner - agnès films

7. The Most Prolific Female Director in History Took Feminism to the Masses

  • 13 jan 2020 · Dorothy Arzner directed both silent and 'talkie' films alike, invented the boom mic, and mentored filmmakers like Francis Ford Coppola.

  • Dorothy Arzner directed both silent and 'talkie' films alike, invented the boom mic, and mentored filmmakers like Francis Ford Coppola.

The Most Prolific Female Director in History Took Feminism to the Masses

8. Programme Notes: Dorothy Arzner, a story by Glasgow Film Festival

  • 1 apr 2024 · A key plot point in Dance Girl Dance involves an astonishingly dysfunctional divorce played for dark laughs, while elsewhere another character ...

  • A story on Letterboxd.

Programme Notes: Dorothy Arzner, a story by Glasgow Film Festival

9. Dorothy Arzner: a pioneer in the film industry - Platform Magazine

  • Dorothy Arzner, one of the greatest pioneers in Hollywood, was an open lesbian who never hid her unique personality or her forty-year relationship with ...

  • With this week being lesbian visibility week, we look to celebrate Dorothy Arzner as a lesbian in the film industry. Being queer is difficult for many, and often misunderstood in the media. Lesbian…

Dorothy Arzner: a pioneer in the film industry - Platform Magazine

10. 'Babylon': Inside the Film and the Real People Who Inspired Characters

  • 21 dec 2022 · Olivia Hamilton as Ruth Adler. Inspiration: Dorothy Arzner, Alice Guy Blaché, and Lois Weber. Unlike many films about the silent era, Chazelle ...

  • Damien Chazelle's ode to the movies of yesteryear is populated with many characters inspired by real legends. So, who is who?

'Babylon': Inside the Film and the Real People Who Inspired Characters

11. Reframing the Problem of TCM - Citizen Dame

  • 6 mrt 2021 · ... blackface, redface, or yellowface, or often extreme stereotyping. ... Dorothy Arzner, Lois Weber, Alice Guy Blache ... Their films currently ...

  • This month, TCM has introduced “Reframed,” a series dealing with problematic classic films that seeks to interrogate their issues with racism, sexism, homophobia, and other forms of bigotry. The series featured Gone with the Wind, a film that has been discussed for years, really, to the point where some critics have suggested retiring it from circulation except as a study tool. But much of the discussion around Gone with the Wind, both on the program and via TCM’s Twitter feed, did not actually address the film’s racism, romanticization of slavery and the slave-owning class, or the mythologizing of the […]

12. Dorothy Arzner, Hidden Star Maker of Hollywood's Golden Age

  • 8 jul 2015 · Bow had an expressive face that the camera loved, but her Brooklyn accent and lack of experience with sound recording affected her confidence.

  • Type the name "Dorothy Arzner" into Netflix's search bar and you'll get zero results.

Dorothy Arzner, Hidden Star Maker of Hollywood's Golden Age
Dorothy Arzner Black Face (2025)

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